2024-25 Season
- Season 78 Shows (2024-25)
- Season 77 Shows (2023-24)
- Season 76 Shows (2022-23)
- Season 75 Shows (2021-22)
FMCT Mainstage Play
By Louis Sachar.
Stanley Yelnats is under a curse. A curse that began with his no-good-dirty-rotten-pig-stealing-great-great-grandfather and has since followed generations of Yelnatses. Now Stanley has been unjustly sent to a boys’ detention center, Camp Green Lake, where the boys build character by spending all day, every day digging holes exactly five feet wide and five feet deep. It doesn’t take long for Stanley to realize there’s more than character improvement going on at Camp Green Lake. The boys are digging holes because the warden is looking for something. But what could be buried under a dried-up lake? Stanley tries to dig up the truth in this inventive and darkly humorous tale of crime and punishment—and redemption.
Performances April 25 – May 4, 2025
FMCT Mainstage Musical
Based on the Paramount/RSO film and story by Nik Cohn. Written by Sean Cercone & David Abbinanti. Featuring songs by the BeeGees.
In this beloved ’70s throwback, Tony Manero, a nineteen-year-old Brooklynite paint store clerk, spends his weekends at a local disco, where he moonlights as the king of the dance floor. When he and mesmerizing dancer Stephanie enter a dance competition, the pair’s professional partnership blossoms into a deep friendship, and challenges both to reflect on what’s important in life amidst rising social tensions and disillusionment. Featuring the timeless hits of the Bee Gees and classic disco tracks, this reimagined version of Saturday Night Fever transports you back to the era of disco balls, platform boots, and white suits. Burn, baby, burn!
Performances June 23-30, 2025
FMCT Mainstage Musical
Brooke and Zeke are thrilled to be starring in a mysterious show called The Phantom, and not the least bit frightened by the old legend that the play is cursed. But when strange, spooky messages start appearing, and a masked menace starts disrupting rehearsals, they begin to wonder: what if there really is a ghost haunting their school, determined to stop the show?! Prepare to get goosebumps as they race to solve the mystery in this thrilling—and chilling—new musical, based on the classic series by R.L. Stine.
Performances Oct 19-29
“Molly Howard is No More”
Tickets on sale October 16
Performances November 10-11
A woman is MURDERED and her GHOST now roams the halls of her estate.’Who killed her’ is the question of the night. Did the butler do it? The maid? A friend? Or, maybe, it was the husband!
Add an eccentric Psychic to the mix… And maybe, just maybe… THE DEAD WILL SPEAK! Experience a GHOST STORY like none you have ever seen before! Everyone is in mourning and EVERYONE is a suspect, because: MOLLY HOWARD IS NO MORE!”
FMCT Mainstage Musical
This musical adaptation of Frank Capra’s masterpiece film is the saga of George Bailey, the Everyman from the small town of Bedford Falls. His dreams of escape and adventure have been squashed by family obligations and civic duty, and whose guardian angel has to descend on Christmas Eve to save him from despair, and to remind him – by showing him what the world would have been like had he never been born – that he has had, after all, a wonderful life.
Jan 2024 (Completed)
10 Minute Play Festival
Theatre for Young Audiences (TYA)
School performances Feb 29 – March 9
It’s Junie B.’s first day of first grade, and a lot of things have changed for her: Junie’s friend, Lucille, doesn’t want to be her best pal anymore and, on the bus, Junie B. makes friends with Herb, the new kid at school. Also, Junie has trouble reading the blackboard and her teacher, Mr. Scary, thinks she may need glasses. Throw in a friendly cafeteria lady, a kickball tournament and a “Top-Secret Personal Beeswax Journal,” and first grade has never been more exciting.
Public Performances on March 3 and 9.
Sensory-friendly performance on March 3.
FMCT Mainstage Play
Frederick Knott’s thriller ‘Wait Until Dark’ is the story of Susan Hendrix, a recently blinded housewife who unwittingly possesses a doll filled with valuables. A deadly game of cat and mouse ensues as Susan and the young girl upstairs launch a counterplot against the thieves. The drama plays on the themes of darkness and light as Susan navigates through her sightless world, and the crooks signal each other with light through the Venetian blinds.
Performances April 5-13
FMCT Mainstage Musical
Book, lyrics and music by Jonathan Larson
Set in the East Village of New York City, Rent is about falling in love, finding your voice and living for today.
Rent follows a year in the life of a group of impoverished young artists and musicians struggling to survive and create in New York’s Lower East Side. The group’s dreams, losses, and love stories weave through the musical’s narration to paint a stunningly raw and emotional portrait of the gritty bohemian world of New York City in the late 1980s, under the shadow of HIV/AIDS.
Performances June 23-30, 2024
Hjemkomst Community Stage Production
Lovingly ripped off from the classic film comedy Monty Python and the Holy Grail, this adaptation of MONTY PYTHON’S SPAMALOT retells the legend of King Arthur and his Knights of the Round Table. The outrageous, uproarious, and gloriously entertaining story of King Arthur and the Lady of the Lake will delight casts and audiences as they search for the Holy Grail and “always look on the bright side of life.”
Member pre-sale begins August 16.
Tickets available September 1.
FMCT Mainstage Play
A group of life-long friends and Star Wars fans come up with the perfect caper: break into the Kenner warehouse and steal a treasure trove of Star Wars toys. Everything starts off as smoothly as a Jedi mind trick until the Dark Side starts to beckon. Will divided loyalties and greed lead their friendship to implode like the Death Star or will the Force be with them?
Member pre-sale begins Sept 13
Tickets available Sept 27
FMCT Mainstage Musical
Single mother, Doris Walker, doesn’t want her six-year-old Susan’s head filled with romantic notions. Their neighbor, Fred Gailey, tries to woo Doris by charming Susan and taking her to see Santa Claus at Macy’s, where Doris works. Doris is not impressed, but when it turns out that Macy’s Santa may, in fact, be the real Kris Kringle, a wave of love spreads across New York City that melts even the most cynical hearts.
Member pre-sale begins Oct 25
Tickets available Nov 15
Jan 2023 (Completed)
10 Minute Play Festival
FMCT Mainstage Musical
What does a person expect out of a blind date? First Date takes the audience through the first meeting of Casey and Aaron, two 30-ish New York City singles set up by friends and family. The two have nothing in common: Aaron is a conservative banker looking for a meaningful relationship, while Casey is an artist, a little too funky for Wall Street. With the influences of their friends and family (played out in their imaginations) as well as the effects of social media, this first date seems to be doomed. But with the help of a meddling but well-meaning waiter, Casey and Aaron might make a connection after all. With a contemporary rock score, First Date gleefully pokes fun at the mishaps and mistakes of blind dates and gives hope that there could be that one perfect moment.
*PLEASE NOTE: This show is rated ages 15+ for adult themes, strong language, and innuendo.
Tickets available January 23
Performances Feb 10-11, 14* and 16-18
*special Valentine’s Day meal
Theatre for Young Audiences (TYA)
School performances March 1-3 and 6-10
It’s not easy being the Pigeon-you never get to do ANYTHING! But when the Bus Driver has a crisis that threatens to make her passengers (gasp!) late, maybe that wily bird CAN do something. Featuring an innovative mix of songs, and feathers, Don’t Let the Pigeon Drive the Bus! The Musical! is sure to get everyone’s wings flapping.
Public Performances on March 4 and 11.
Sensory-friendly performance on March 4.
FMCT Mainstage Play
Theophilus Carter is content with his small tailor’s shop on High Street, thank you very much. But when his best friend publishes a nonsense book called Alice’s Adventures in Wonderland and uses him as the inspiration for The Mad Hatter, his sensible shop becomes a mad house of uppity Londoners trying to get a peek at the real Mad Hatter. As Theo struggles to maintain his simple life, and Lewis Carroll roars to success as one of England’s greatest authors, it’s bound time for a puckish young woman named Alice to find her way back into the Hatter’s life. As a real world look into the lives that made Wonderland, MAD AS A HATTER explores the burden of nostalgia, the whimsy of madness, and the undeniable power of play.
Member pre-sale begins Feb 21
Tickets available March 7
Performances March 24-26, 31 and Apr 1
FMCT Mainstage Musical
From New York to Paris, from ragtime to jazz: THE HELLO GIRLS chronicles the story of America’s first women soldiers in this new musical inspired by history. These intrepid heroines served as bilingual telephone operators on the front lines, helping turn the tide of World War I. They then returned home to fight a decades-long battle for equality and recognition, paving the way for future generations.
Member pre-sale begins May 2
Tickets available May 16
Performances June 1-11
FMCT Mainstage Musical
This crowd-pleasing musical is inspired by and featuring the songs of Elvis Presley. It’s 1955, and into a square little town in a square little state rides a guitar-playing young man who changes everything and everyone he meets in this hip-swiveling, lip-curling musical fantasy that’ll have you jumpin’ out of your blue suede shoes with such classics as “Heartbreak Hotel,” “Jailhouse Rock,” and “Don’t Be Cruel.”
FMCT Mainstage Musical
Grandson of the infamous Victor Frankenstein, Frederick Frankenstein (pronounced “Fronk-en-steen”) inherits his family’s estate in Transylvania. With the help of a hunchbacked sidekick, Igor (pronounced “Eye-gore”), and a leggy lab assistant, Inga (pronounced normally), Frederick finds himself in the mad scientist shoes of his ancestors. “It’s alive!” he exclaims as he brings to life a creature to rival his grandfather’s. Eventually, of course, the monster escapes and hilarity continuously abounds.
FMCT Mainstage Musical
Buddy, a young orphan, mistakenly crawls into Santa’s bag of gifts and is transported to the North Pole. The would-be elf is raised, unaware that he is actually a human until his enormous size and poor toy-making abilities cause him to face the truth. With Santa’s permission, Buddy embarks on a journey to New York City to find his birth father and discover his true identity. Faced with the harsh realities that his father is on the naughty list and his half-brother doesn’t even believe in Santa, Buddy is determined to win over his new family and help New York remember the true meaning of Christmas.
FMCT Mainstage Play
A group of Louisiana women bond and gossip at a local beauty shop while following the marriage and motherhood of one of the customer’s daughters. Robert Harling’s play made its 2005 Broadway debut after a 1987 off-Broadway premiere and successful 1989 film version. The play is alternately hilarious and touching—and, in the end, deeply revealing of the strength and purposefulness which underlies the antic banter of its characters.
Theatre for Young Audiences (TYA)
An elephant named Gerald and a pig named Piggie are best, best, “bestus” friends, but Gerald worries that something could go wrong that would end their friendship. Piggie is not worried at all. She’s even happier and more excited than usual. That’s because she and Gerald are invited to a party hosted by the Squirrelles, three singing squirrels who love to have a good time. And so begins a day when anything is possible.
FMCT Mainstage Musical
Pushed to the boiling point, three female coworkers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. In a hilarious turn of events, Violet, Judy and Doralee live out their wildest fantasy – giving their boss the boot! While Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down. Hey, a girl can scheme, can’t she?
